In this second installment, we continue to search for those artists who, due to talent, hype, context, or simply bad luck, seemed to have the future in their hands. And, as often happens with the future, it ended up taking another path.
For a brief moment, it seemed they were going to be the next big band. But then, almost always without much fanfare, they stopped being the future.
Tim Presley’s new album, the man behind the alias White Fence, is his best record to date. With the collaboration of his great friend Ty Segall as producer and on drums, Tim leaves behind the experimentation of previous works, so close to collage and pure lo-fi, and gifts us a collection of crystal-clear and polished-sounding … Read more