A fresh album recommendation every single week.
Three years after their debut, the Chilean sextet Inundaremos returns with tanquemante. This second album represents an undeniable leap in quality and is already positioned as one of the year’s most significant releases. Inspired by the poetry of Juan Radrigán, the album emerges as a reaction to complacency, abandoning the comfort of homemade indie folk … Read more
Approaching a new Elder release always sparks a certain unease. Not due to doubts about its quality, but from the vertigo of not knowing what direction a constantly mutating band will take. Over the last decade, their journey from monolithic doom/stoner to progressive rock, psychedelia, and space rock has been fascinating. Since Reflections of a … Read more
Tim Presley’s new album, the man behind the alias White Fence, is his best record to date. With the collaboration of his great friend Ty Segall as producer and on drums, Tim leaves behind the experimentation of previous works, so close to collage and pure lo-fi, and gifts us a collection of crystal-clear and polished-sounding … Read more
In recent years, we’ve been witnessing a renewal of folk music in the Iberian Northwest, a movement driven by established projects like Rodrigo Cuevas in Asturias or Baiuca in Galicia. The scene continues to grow, as does the number of exponents of this neofolk, with other notable emergences such as the Galician acts Ortiga or Mondra.
“Cuando llega el calor, los chicos se enamoran, es Nu Genea y el sol” could perfectly reflect the festive spirit of the Neapolitan band formed by Lucio Aquilina and Massimo Di Lena.
The undeniable summery, coastal vibe, a hallmark of their sound, permeates all their previous discography, as well as their recent album People of the Moon.
Let’s get this out of the way: in the search for the most hyped album of the moment, WOR$T GIRL IN AMERICA is not the brat of 2026 — and it doesn’t need to be. Catherine Slater’s new project has been hailed as the most ambitious and fully realized work of her career, transforming her … Read more
The fourth album by the Melbourne artist marks a return to the country-rock sound of her first two records. An album so radiant and luminous it could almost burn — perhaps a logical outcome given that it was recorded in Joshua Tree and Los Angeles, the songwriter’s new home after dissolving the Milk!Records label she … Read more
There is a starting point in the history of American Football that in itself puts us in absurd territory. A band with barely two years of life, which released a single album in 1999 with little impact and split up without making much noise, has ended up occupying a capital place in the imagination of several generations, as they have not only made their debut a classic, but have retroactively redefined what we understand by emo, indie, or even nostalgia. In that sense, American Football are more important as a perception than as a musical phenomenon; their relevance is beyond what they did, it is in how it has been listened to afterwards.
There are records that deserve to have been made if only for a single song. Dashboard Mary is one of those compositions, but Johnny’s Dreamworld is not one of those records.
The debut LP from the London-based outfit Modern Woman is a carousel of emotions and contrasts packed with exceptional tracks.
Ah, youth! On numerous occasions, the unstoppable pace of our surroundings pushes us to abandon that improvisational and hopeful spirit that gives us youthful momentum, only to surrender to the concept of “maturity.” Friko, the Illinois band, has made their young career a parallel to that dichotomy in which they bet unconditionally on that burst of bravery—at times naive, but always worth the risk.